THE MALLEABLE BODY: FROM SENSITIVE TO EXTREME

1. How to introduce osteopathic techniques to be used in dance education ?
2. What is dance-theater? How to develop different skills that allow us to create a dramatic language through the body?
3. What are the most appropriate acrobatic techniques to adapt to different bodies and
conditions? And that can create scenic results?

Starting from an anatomical framework, using muscle chains and body listening, We will explore the relationship between the body and its hidden emotions. We will deliver into our own physical virtues, getting to know places that allow us to enrich our performing potential, using our entire biomechanics range to explore our limits from a safe body. Using anatomical knowledge and our own physical abilities as inspiration, We will try to materialize the different emotions that we encounter in the process, in order to be able to enjoy and develop our own performing practices.

Born in Madrid in 1993, he began to dance Break Dance on the street at 10 years of age. Since then he has been invited to dance, and compete around the world.
With 15 years, he started his contemporary career and joined the Company Dani Pannullo. He studied contemporary dance and Osteopathy in Madrid.
Continuing his dance career with companies like Sharon Fridman, Korsia or Antonio Ruz. During all his career, has been doing different works as a dancer for important brands like Nike, Adidas, Renault, H&M, etc.

Since 2020 he is working with Peeping Tom in Triptych and Diptych.

As a choreographer is developing his career with his piece Lucero.

Taking inspiration from traditional folklore, literature, Spanish history, street language, etc. In 2022 he created “Senza Scola” for Equilibrio Dinámico Ensemble with 25 dancers in Bari, Italy. In 2023 He created “Las Descalzas”, for Descalzinha Company with 20 dancers on stage in Madrid.

As a teacher he is researching in different fields. Using an osteopathic view of the body in order to develop different ways to approach the physical structure.